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  <description>European cinema, closely watched. Independent criticism from Amsterdam.</description>
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    <title>Bears and Contradictions — Berlinale 2025</title>
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    <pubDate>Sun, 23 Feb 2025 00:00:00 +0000</pubDate>
    <description>The 75th Berlin International Film Festival, under new leadership, found its footing — and then complicated it.</description>
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    <title>A Decade in European Cinema, 2014–2024</title>
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    <pubDate>Wed, 01 Jan 2025 00:00:00 +0000</pubDate>
    <description>Ten years of films, movements, and transformations — from the Romanian wave's legacy to the streaming question.</description>
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    <title>The New European Horror</title>
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    <pubDate>Sun, 01 Dec 2024 00:00:00 +0000</pubDate>
    <description>From The Substance to Titane: what the current wave of body horror and institutional dread is actually afraid of.</description>
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    <title>Documentary at the Edges — IDFA 2024</title>
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    <pubDate>Fri, 29 Nov 2024 00:00:00 +0000</pubDate>
    <description>IDFA's 37th edition confirmed: documentary is where formal risk-taking in cinema currently lives.</description>
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    <title>Emília Pérez — Review</title>
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    <pubDate>Fri, 01 Nov 2024 00:00:00 +0000</pubDate>
    <description>Jacques Audiard's genre experiment is audacious, flawed, and impossible to dismiss.</description>
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    <title>A Real Pain — Review</title>
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    <pubDate>Tue, 01 Oct 2024 00:00:00 +0000</pubDate>
    <description>Jesse Eisenberg finds an emotional directness he hadn't previously reached as a filmmaker.</description>
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    <title>The Long Take as Moral Statement</title>
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    <pubDate>Sat, 01 Jun 2024 00:00:00 +0000</pubDate>
    <description>Why certain directors refuse to cut — and what the unbroken shot demands from filmmaker and audience.</description>
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    <title>Dispatch from the Croisette — Cannes 2024</title>
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    <pubDate>Sat, 25 May 2024 00:00:00 +0000</pubDate>
    <description>The 77th Cannes Film Festival: Anora, All We Imagine as Light, Emília Pérez, and what the competition told us.</description>
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    <title>The Patience of Slow Cinema</title>
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    <pubDate>Fri, 01 Mar 2024 00:00:00 +0000</pubDate>
    <description>On duration, emptiness, and what happens when a film refuses to fill every second with meaning.</description>
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    <title>Anatomy of a Fall — Review</title>
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    <pubDate>Wed, 01 Nov 2023 00:00:00 +0000</pubDate>
    <description>Justine Triet's Palme d'Or winner is the best film of 2023 — a trial as epistemological crisis.</description>
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